Monday, 31 August 2015

The Disturbing Implications of Days of Future Past

One of the best things about X-Men Days of Future Past was it's ending, but there's also a massive problem with this ending. *Spoilers Ahead* Logan arrives in the present of the new timeline and life is great, everyone's alive, the X-Men are thriving and we all get a happy ending...except for Logan. Look at things from everyone else's perspective, the Logan that they've all known for years now, they've respected and fought with has just died and being replaced with an alternate timeline version. This Logan doesn't share any of their Logan's memories or experiences, he's a completely new person. Their friend is dead this stranger has taken his place. This is really similar to the ending of Back to the Future where Marty ends up in a completely different timeline, thus killing that timeline's version of himself. Yeah it's supposed to be a good happy ending but the implications of this are disturbing on a psychological realm...or we could just sum it up to wibbly wobbly timey wimey...stuff.

-Danny

Sunday, 30 August 2015

What The Hell Was Martha Kent Talking About?

Batman V Superman, you mighta heard about it, it had a phenomenal trailer released a few weeks ago, but there's one moment in it that has a lot of fans in a fuss. Martha Kent, Superman's mother says to him "People hate what they don't understand. Be their hero Clark, be their angel, be their monument, be anything they need you to be...or be none of it. You don't owe this world a thing, you never did" Now it's understandable why people would be upset with that because that's a very un-Martha Kent thing to say, but in the sake of fairness, this line is taken out of context and from what we can tell from the trailer, it's understandable she'd be against the world, half the planet thinks her son is a monster when he's not, she probably feels like the world doesn't deserve someone who they're going to label like that, especially when it's her son. Also a lot of this movie appears to be about conflict of ideologies, Superman knows he's going to be a prominent figure in humanities history, but after the events of the last movie, he doesn't know who he can be or more so, who he wants to be. Someone needs to take the side of being against Superman being an idol, someone who understands his situation, and if Lois is going to be on the side of supporting that idea, Martha is the only person left who can be against it.

But then there are the specifics of the line that bug me, firstly the sentence "People hate what they don't understand" is such a cliched line, true, it's usually fear, not hate, but it's still overused and redundant at this point. Then there's the ending of it all "you don't owe this world a thing, you never did" yes he does, he was raised here, he is who he is because of this world, his family and loved ones are here, so you'll excuse me if he owes this world as much as the rest of us when it is his home. But this doesn't detract too much from the overall argument, again, the line is out of context, but the idea of Superman being whatever humanity needs him to be is the essence of Superman, but in this more realistic and sombre adaptation, where Superman is still young, he doesn't know what he wants to be and maybe he doesn't want to feel compelled into the role he's destined to play...regardless of what Uncle Ben liked to tell Peter.

-Danny

Saturday, 29 August 2015

Is There Anything GOOD About Dragonball Evolution?

Dragonball Evolution is one of the worst movies i've ever seen, it's awful as both an adaptation and a stand alone movie, almost everything about it is wrong...almost. One has to ask themselves, is there anything good about this movie? Surprisingly, there are a few things about the film that do work for me, and keep in mind, I hate this movie and would like to see it erased from Planet Earth. But in the sake of fairness let's talk about some of the good things (what little there are) about this turd.

First of all, I like the jokes in this movie, okay they're not gutbusting and are few and far between, but i did laugh as a fan of the franchise and was the only thing that made me think the people behind this movie actually watched the show. Like watching Goku trying to gel his hair but it goes back to being naturally spikey, not gonna lie, that made me chuckle a fair amount.

Then there's the production design and colour scheme of this movie, i like the way this film looks...for the most part, the CGI, editing and cinematography sucks I like the sets and Goku's costume at the end of the film looks awesome. I also like how colourful the film is and how other worldly it feels, in a better film i could legitimately believe these environments are part of the Dragonball Universe.

Then there's the choreography of the fight scenes, now the fight scenes as a whole suck due to bad camera work and editing, but there's still enough proof here that there was actual effort put into the fight scenes, no it doesn't look anything like a fight scene from Dragonball or Dragonball Z, but at least they have actual martial arts, which ironically Dragonball never had any legitimate martial arts in it.

Then finally there's Piccolo, he's written awfully, is incredibly inconsistent and is a waste of James Marsters talents, but what should have been the goofiest and most difficult character to get across on the big screen visually speaking, they did a damn good job of it. If you were to show me a picture of James Marsters in full make-up as Piccolo, I would say he looks fucking awesome! Then i see the movie and see how badly he was handled, but again, visually speaking, they got him pretty right.

So those are the few things about Dragonball Evolution that actually works for me and i think are actually good. Do they make up for the bad things about this film? Hell no! But considering that so many people have talked about all the things wrong with this film (Justifiably so) I felt it was fair enough to talk about the good things about this film, despite how little there are.

-Danny

Friday, 28 August 2015

My Favourite Characters - Elwood .P. Dowd

James Stewart is one of the best actors of his generation, hell, he's one of my favourite actors of all time, though this may not be his best role in terms of performance, it's certainly his best in terms of charm. Harvey is a movie from 1950 that follows the story of a man named Elwood P Dowd who is friends with an invisible 6ft 3 and a half inch rabbit called Harvey, and while everyone else in the film is trying to get Elwood sent to a sanitarium, his interactions with them eventually lead them to either believe Harvey is real, or at least that is delusion is more helpful than it is harmful. Elwood himself is probably the most optimistic person on the planet, he's not an idiot and depending on your interpretation, he's not insane, yet he's somehow always able to see the positive in every situation to the point where i don't know which of his quotes to use to prove it "every day is a beautiful day" "you make my flower look beautiful" "you can never have too many friends", the man is a walking inspiration. Even after he finds out his sister tried to get him committed, he was just more impressed by how much she was able to get done in one day. A lot of this does come from Harvey giving him a lot of luck and making his life easier (or if you think he was crazy then it was just a bunch of coincidences) and because he's never exposed to anything negative, he spends his time spreading joy to others. He's always inviting people over to his house for dinner or buying them a drink at the bar, it seems he spends every waking minute of life just trying to make life easier for others as it is for him. Hating Elwood is like hating Winnie the Pooh, it's impossible, they're so damn optimistic and pleasant to be around. But what makes him so interesting is that the film doesn't ignore other perspectives, maybe he is just crazy, real people don't work this way and sometimes life will be difficult, but he always has a smile on his face and (to quote Monty Python) always looks on the bright side of life. To show how insightful and kind he is, i'll end it with the most famous quote from the movie,

"My mother used to say to me "In this world, Elwood, you must be oh so smart or oh so pleasant." Well, for years I was smart. I recommend pleasant."

-Danny

Thursday, 27 August 2015

Is Wolverine An Anti-Hero?

Wolverine is the most popular character amongst the X-Men, whether it be cartoon, comic or movie, Wolverine stands above the rest. But something that i've always heard people describe him as is an anti-hero, but is that true? Wolverine is rebellious, arrogant, aggressive and in some cases, homicidal, but there's more to being an anti-hero than that. A while ago i talked about how Batman wasn't an anti-hero, he was dark, but his morals and actions were in the right place. Wolverine is a little bit more of a blurred area, he's definitely a good guy because he's part of the X-Men and does the right thing, then there are his relationships with his fellow X-Men, he may not get along with Cyclops, but for the most part he respects his other members, and though he doesn't always listen to them, he still trusts them. Not to mention he gets along well with kids, particularly Kitty Pryde. Then there is the fact that he's vicious and at times, a killer, this is usually the key factor in deciding whether Wolverine is an anti-hero or not, most heroes don't kill, Wolverine has little quarrel with it, more than willing to kill villains should it be deemed necessary. Now I don't necessarily think a hero committing murder instantly means he's an anti-hero, afterall, Green Arrow is also willing to kill, but he's not an anti-hero. I've said before that what defines an anti-hero is someone who you question your support for them, that make morally questionable decisions and can act selfishly. This is where Wolverine becomes the blurred line, he does make questionable decisions, he does act selfishly and even fights against his fellow heroes...but we never question our support for him, we always believe he's a good guy and in the end will make the right choice. So maybe that's why he's such a beloved character, he has plenty of the elements of an anti-hero, but the incorruptible core of him that he'll always do the right thing that gives us as the audience faith in him, and that faith is what undeniably makes him a hero.

-Danny

Wednesday, 26 August 2015

Plans for Vixen

So I was originally going to do a review for the first episode of Vixen today...that was until i realised each episode was only 5 minutes long. So if you've never heard of this show, here's a little backstory, Vixen is an animated web series produced by The CW and takes place in the DC TV Universe with Arrow and Flash and focuses on the character Vixen, a woman who can use the abilities of any animal on Earth. It's going to run for 6 episodes over the next few weeks, the problem is, each episode is only 5 minutes long and is going to make up a whole 30 minute story by the end of it. I watched the pilot and enjoyed what i saw, then again i enjoy most of DC's animated work, so here's what i'm going to do, i'm going to wait until all of the episodes have been released and watch them all in one sitting, then review it. That way I can get the entire story in a better flow without having to worry about awkward breaks, because that's what i can say that was bad about this episode, it felt like it ended just as quickly as it began and was very jarring. So yeah, i should have a review out 29th September when the entire show is released.

-Danny

Tuesday, 25 August 2015

First Impressions of Ricky & Morty

Rick & Morty is a show i've been meaning to get into for a while now, being co-created by Dan Harmon, the creator of my all time favourite television show Community (Side Note: Watch Community) and has received none stop praise, people comparing it to Community, Adventure Time & Futurama...so that's pretty big praise for this show, and after watching the pilot episodes i have to say...I don't know what to make of this show. It made me laugh, but I was also uncomfortable with laughing at it, the show is mean spirited, the show is ugly, the show is dark, the show is completely doing it's own thing and i like all of those facts. If i were to compare this pilot to the Futurama pilot i would say this is better, so i'm interested in seeing where it's going. Those are the most important things to take away from this pilot, i laughed, it did a good job at setting up the world and characters and i'm interested in seeing more. Maybe once i've finished the first season i'll come back and review it in full. As for right now, I enjoyed it.

-Danny

Monday, 24 August 2015

Injustice: Gods Among Us: Year One - Cheap Thoughts

Injustice: Gods Among Us was a video game released in 2013, based around an alternate DC universe where Superman became a totalitarian leader of the world, long story short it was a great story with good gameplay behind it and was a lot of fun...but that's not the product we're talking about today. The game also had a tie-in comic building up to the videogame that despite the game being two years old, the comic is still being released on a regular basis and is going strong. The story behind why Superman becomes a dark and ruthless leader all starts with the Joker tricking him into killing Lois, their unborn baby and all 11 million people in Metropolis. This causes Superman to snap, kill the Joker and now we have Superman slowly being corrupted into becoming darker and creating his own dictatorship. Now for this review i've chosen to talk about the first two trades of the series that sum up the first of five years worth of stories. As i'm writing this i've only read the first three years and the fourth one is currently being released, but the reason why i'm only talking about the first year is because it's the one with the most story and character development, and is my personal favourite. I can honestly say that Injustice: Gods Among Us is the best comic book being published by DC currently.

What makes these comics so great is the analysis of it's characters, their morals, their roles and their relationships. Superman has always been the symbol for hope, he never kills and will always do the right thing, i've said before that one of Superman's many goals is to be seen as a human, and his relationship with Lois Lane is what made him more human than anything, with her death, by his hands no less, he loses his humanity, he becomes cold and unforgiving. What makes it work so well is that the transition doesn't happen instantly, he kills the Joker but that doesn't instantly mean he's going to kill all his problems and anyone who disagrees with him is instantly his enemy, but now he's not afraid to use that as an option, he will kill if he deems it necessary. More than that, he lost his reasoning to why he fights to save humanity, he did it because he believed they could be better, they deserved the chance to live and he was their beacon of hope so they could better themselves. Now he's much more controlling, instead of inspiring them to be better, he demands it and enforces his ways on them. All while still maintaining he is the hero that the world needs and he is the same person he is before.

This leads to the next great thing about this comic, the conversations. Usually characters just sat around talking about the difference between right and wrong can be incredibly boring, but here there are legitimate points to be made on both sides and a lot is at stake. Superman and Flash have a conversation about getting rid of all guns in the world and Flash points out not only how implausible an idea that is, but that it's impossible to make the world completely safe. Superman and Batman also have a great conversation where he tries to justify his killing of Joker, Superman argues that if Batman had done it sooner then literally millions of people would still be alive right now, that is a good point. While Batman states that if you can justify one death, then you can justify two, then three, then four, and so on, and so on. That's what makes these arguments so great, they both have legitimate reasons why they believe what they believe and neither is technically in the wrong, Superman has made the world safer, but he's also taken away their freedom and replaced it with fear.

Then there are all the other characters reactions to Superman's new regime. Most of the heroes are on Superman's side of course, mostly because they're still blinded by who Superman was and find it impossible to believe what he's doing is wrong because...well he's Superman, he's the embodiment of everything good. That is of course except for Flash, the heart of the Justice League and more than anyone else, the one who wants to do nothing but good, he above all else is conflicted on what is right and what is wrong. He doesn't want to believe Superman can be corrupted, but he's smart enough to understand that he's different. Despite it being in an alternate universe, the fact that all the characters still behave the way they would in the main universe is what makes the story so effective, everyone's opinions match what it would be in the main continuity, (minus Wonder Woman who is more aggressive in this version, but no major differences) and every action and plot point is shocking yet realistic.

There's also a great section of the book focusing on a boy named James, just an average kid that was saved from a biking accident by Superman a few years ago, no life threatening issue, just a kid about to fall off his bike. It shows one of the great things about Superman, that no issue is too small and all he wants is to help people in anyway possible, it also humanises the citizens of the Earth, showing what he meant to them personally and contrast that with how they've lost faith in him now. It's a small moment but incredibly effective and is one of the major highlights from this book. Another small thing is the unlikely friendship between Harley Quinn and Green Arrow, he keeps her hidden away from Superman for her own protection and the banter between the two is hilarious. "What do you have a boxing glove on your arrow for?" "incase I wanna punch something really far away" "I can relate". It's a unique relationship that I haven't seen before and would have liked to have seen more of, also the scenes between Harley and Lobo were also entertaining.

But then we get to the best moment in this comic and what may be the greatest panel in comic book history...Alfred headbutting Superman! After developing a special pill that gives people a portion of Superman's strength (A plot point introduced in the game), Alfred takes one after Superman just fought Batman and straight up headbutts him in the face. Not only is it funny as hell, but shows why Alfred is the coolest character ever, not only is he incredibly sassy yet charmingly polite and efficient at his job, but he has the gonads to headbutt Superman in the face! Damn I didn't think I could love Alfred more than I do already.

As for the artwork, it's great for the most part, there's a lot of dynamic shots and badass fight sequences, my only real issue is sometimes the facial expressions can be quite strange, but that's only on the odd occasion. But with that being said, i'm not exactly an expert on analysing artwork, story & character is where I have more experience in, so when I say I like the artwork here, that's coming at it from a more amateur view point. As for any other problems I have, I will say certain character deaths (which i will not spoil) i feel are unjust. For anyone who played the videogame, you knew these deaths were coming, but i don't think they all work. One character gets their neck broken accidentally, but i feel they would have been agile enough to not die such a clumsy death, though the emotions around the death are effective. Another has the character trying to reason with Superman and then a split second later decide to try and kill Wonder Woman so of course Superman vapourises them. The only one that works is the final death, a character who was so good hearted and pure that even Superman can't justify their death, showing how far he's fallen and leaving a hole in the world.

Overall, this comic was phenomenal from beginning to end, every character is written very well, the story was executed perfectly, the action and dialogue is excellent, the artwork is good and there are multiple stand out moments. The story remains strong in years two and three and maybe i'll get round to reviewing them one day, but as for now, Injustice: Gods Among Us: Year One is one of the best DC comics i've ever read. 10/10.

-Danny

Sunday, 23 August 2015

The Unplanned Hiatus

So yeah...it's been a while since i've posted anything on here, well, I say a while, it's been just under 2 weeks, but considering this is supposed to be a daily blog, that's a while for me. The reasoning behind this hiatus is...well, I just haven't had anything to write about. There hasn't been any major news or trailers to talk about, no new episodes of TV shows, and I can only do so many cheap thoughts and favourite character sections before it gets redundant. I've missed days before, but usually that was just because i was too busy to write anything or was struggling to think of anything, but those were usually only one day at a time and i would have enough ideas the next day to write something up to make up for lost time. In this case, it's just been a bad case of writer's block, which gimme credit, the year and 2 months i've been doing this, this is the first time it's happened. And you know, the fact that no one reads this also helps me feel less pressure about writing up stuff for this blog, i do it for fun and that's really it. But I am going to try and get back onto my regular schedule from now, though it's hard to tell for now so i don't want to promise anything, but you can expect more blog posts for the next few days at least.

-Danny

Tuesday, 11 August 2015

The Hunchback of Notre Dame - Cheap Thoughts


The Hunchback of Notre Dame is one of those movies that did okay when it was first released but over time has risen a lot more in popularity, often considered to be the best of the post-Disney renaissance of the late 90's. A lot of the criticism of the time was that the story was too mature to appeal to Disney fans, but not mature enough to appeal to fans of the original book (which is much darker might i add). But with audiences craving more mature stories in kids entertainment, people these days actually love how different this film is, they love the dark themes, they love the mature conversations and gruesome implications and religious imagery. So does the movie deserve all the attention it's getting or were audiences right the first time around?

*Spoilers Ahead*

The film takes place in 15th century France where Quasimodo, a deformed and ugly man is locked away in the Notre Dame bell tower for his entire life, raised by his master Frollo (The town Judge) in secret and is forbidden from travelling down to the city and interacting with other people. Eventually he sneaks out during a festival and befriends a gypsy woman named Esmeralda. Frollo soon finds out and becomes infatuated with Esmeralda and calls for a witch hunt to execute all of the Gypsy's and find Esmeralda. Quasimodo with the help of a soldier named Phoebus find Esmeralda and protect her from Frollo's wrath, everyone lives happily ever after with Phoebus and Esmeralda getting married and Quasimodo being accepted by the public.

So just from that quick description there was something that I instantly noticed...Tangled totally ripped this movie off, the villain kidnaps the main character as a baby and raises them as their own, cutoff from all of civilisation despite the fact that they're a free spirit who wants to see the world. I mean i know Hunchback wasn't the first to use this plotline, but come on Disney, be less obvious about it. But that's not really a problem with this movie, i just wanted to bring it up. In reality this is a very functional plot, i say that because for the most part you can predict where everything's coming from a mile away, you know how every relationship is going to end, you know where the story is going to go, there's not much to discuss there. The only major issue I have with this film's plot is the Gypsey's for how...inconsistent they are. At first they love Quasimodo, but then they all turn on him in an instant, and the film makes a point how they're mistreated and misrepresented as thieves, but then it turns out they are thieves, and are just as quick to judge as the villains, but we're supposed to be on their side yet they're acting just as bad as the actual bad guys.

As for characters I could say the same for most of them, Quasimodo is likeable but simple, Esmeralda is nice but cliched and Phoebus is respectable but generic. Then there are the gargoyles, the comic reliefs that interact with Quasimodo, a lot of people hate these characters, and consider them to be some of the worst comic reliefs Disney has ever made. I personally don't hate them, they could have been better, but they could have been worse. I'd say the worst thing about them is when they interact with people other than Quasimodo, i mean for the first 2/3rds of the film they make it look like they're not real and it's all part of Quasimodo's imagination, but then in the climax they start interacting with other people and i thought how stupid that was because it was actually pretty clever before to have them just be imaginary.

But none of this matters, let's get to Frollo. Good god, this is one of the great Disney villains, everything about him is fantastic. He has a devious voice, he has a dark view on life, he's supposed to be keeping the law of god, but is so blinded by his own bias that he's actually the one committing the most sin. Not only is his manipulation of Quasimodo enough to make him a great villain, I mean in Tangled the mother at least pretended to love Rapunzel, here, he completely convinces Quasimodo that he is a monster, and it only get's worse from there. He wishes to kill Esmeralda because he lusts after her (Yeah, they actually use the term 'lust' in this movie) and if she doesn't be with him then he'll burn her alive. And he doesn't love her, the film makes it very clear that this is just physical attraction, and of course that's a sin, and he blames her. That's another great thing, he never believes he's at fault, when he does acknowledge he's committed a sin, he always has an excuse, he always has someone else to blame, his conscience is clear and he legitimately feels no guilt. Hell, the death of Quasimodo's mother is surprisingly one of the most disturbing, there's no dramatic murder, Frollo just accidentally pushes her down some steps and breaks her neck, and of course feels no guilt about it, what makes it so effective is how normal of a death it is, she's not getting trampled by wildebeests or stabbed by a friend, it's a quick and ordinary kill, and that makes it feel more real and disturbing than any of the other parental deaths. He murders, arrests, bribes and kidnaps for his own selfish gain and is able to claim he's doing it all in the name of god. What a sick bastard, but damn do i love him for it.

But Frollo is one of the big draws to the themes of the movie, safe to say the film does have a bit of a religious message, but what I like about it is that it's not saying religion is bad, after all, the archdeacon is probably the kindest character in the movie, offering shelter and protection for everyone as long as they're good in the eyes of god. Religion can be a good thing, it can bring people joy, hope and safety but it can also bring corruption and selfishness if not viewed in the right way. When it comes to any debate, especially one as topical as religion it's always important to show both the good and bad parts of it. But despite the heavy religious imagery and setting of the film, that's not actually the message people take away from it, but rather the idea of dealing with heartbreak, yeah, Quasimodo doesn't get the girl, and that's surprisingly one of the more striking images in this film (and that's saying something) is when you can see the shock and pain in his eyes when he realises Esmeralda is in love with another man, in fact, it's scary how accurate that is to how it feels in real life. Give credit where it's due, Disney so often will end things with the happy ending, while granted this one still does, it's really more of a bittersweet ending, atleast by Disney standards.

Then there are the songs, the best way to describe them is think back to the Circle of Life from The Lion King, it was grand, bombastic and felt larger than life...now imagine an entire soundtrack like that. Or atleast, that's what they try and go for with this film, because every single song tried to be like this, a lot of the middle songs just sort of blend together. But the ones that stand out are the opening song Bells of Notre Dame, which screams epic in more ways than one and is probably the best opening song to a musical...ever, the follow-up Out There which really doesn't do much from a narrative or compositional stand point that's all too unique, it's just a good listen and the villain song Hellfire, a song that has such gothic imagery, such creative visuals and such a dark tone to it that it may be my favourite villain song of all time.

Then there's the animation, well it's a Disney movie so you know it's going to be phenomenal, but then again this is just after they did Pochahontas which I maintain is one of the worst looking Disney movies. But this film looks amazing, the movement is fluid, the designs realistic, but the best part is the backgrounds, the architecture of France, and the angles of the cathedral, the lighting, the shadows, the grand epic scale of everything, oh good god, it looks so good.

Overall, while the plot & characters may be standard (Except for Frollo who rocks) the music, atmosphere, themes and animation more than make up for this, and make this film worthy of the Disney title to be held above it's name. 8/10.

-Danny

Monday, 10 August 2015

OTHER Changes I Want In Marvel Comics

A few months ago I talked about the changes that I want to see in the Marvel Universe after Secret Wars ended, but really there's more to talk about. So let's take another crack at this. The big thing that i want to change is that i want things to change. By that I mean i want the equilibrium to be disrupted, i want characters to grow, i want them to change, i want decisions to be permanent. The biggest problem with mainstream comics by Marvel & DC is nothing ever changes, no relationship is permanent, no event will leave an everlasting effect and no death will stay dead. Marvel has an opportunity to change that now, do something new, make characters interesting again by forcing them to change. In my original post i said that I didn't want Peter Parker to go back to school, but really I do want to see that, I want to see him go to school, i want to see him go to college, i want him to get a job, i want him to marry Mary Jane, I want him to have a family, I want to see Aunt May die of old age. I want Peter to be a human being, I want him to age and see him actually become an adult. You don't have to have characters stay the exact same to keep them interesting, I'm not saying Peter has to lose his essence, I've done an entire essay on the essentials on the character, but age isn't one of them. You can have Spider-Man swinging about and making jokes but worried about how he's going to do at school, or you can have him swinging around making jokes but worried about paying bills and supporting his family. I want him to age every year and grow as a person, and i want this to be for everyone.

If someone dies, i want them to stay dead, that way characters won't die as often, but when they do, it will leave a massive impact knowing that we won't see them again. That goes for heroes and villains. I want to see new heroes and new villains, create new dynamics, make new iconic characters for people to attach themselves too. I want some people to behave differently. I want Ben Grimm to actually be perfectly fine being The Thing and actually enjoy the power, I want Wolverine to not be in love with Jean Grey, I want Steve Rodgers and Tony Stark to get along, I want characters to get married and stay married. I want consistency, i want cause & effect, i want something new, and sometimes that something new can simply be things staying the same, because in the world of comics where they're afraid to do change things up for characters and always have to reboot them, i want characters to go through experiences that will effect them in the future and the writers stick to those stories.

Will these things happen? Probably not. If anything, this reboot is just happening to make it easier for new people to read comics, so that means more of the same stuff that we've seen happen time and time again. But if Marvel does this for even one of their books then that will instantly become my favourite comic they make.

-Danny

Sunday, 9 August 2015

The Hateful Eight - Trailer Review

I initially was not going to talk about this trailer because i didn't have anything to say about it...turns out, the fact that i don't have anything to say about it, is what i want to say. The Hateful Eight is the 8th film directed by Quentin Tarintino, he initially wasn't going to produce the film due to a script leak but ended up going through with making it. When this trailer came out, my twitter exploded, everyone talking about how great it looks and they can't wait to see it...it looks fine. Don't get me wrong, I am super excited for this movie and I love Tarintino, but if i was to judge my excitement for this movie based on the trailer alone, so pretending that I had never heard of Tarintino before, this trailer would have done nothing for me. I didn't see anything about the characters that interested me, or the story, or the visuals, or the cast, it just looks like an average movie. Again, basing that entirely on the teaser trailer! Am i going to see this film when it comes out? Absolutely, but that's because of the power of Tarintino, not the marketing of this movie so far, maybe the next trailer will impress me more, i don't know, but for as of right now, consider me unimpressed with what i've seen.

-Danny

Saturday, 8 August 2015

Wet Hot American Summer - Cheap Thoughts


With Netflix's new prequel series to Wet Hot American Summer, I decided to watch the original film and see what the big deal about it is. WHAS is a satirical teen comedy set in the last day of summer camp where a large ensemble of characters are all trying to achieve different goals before they have to leave. Now despite the fact that this movie is listed as a satire, i would say it learns more towards straight up parody along the lines of Naked Gun or Airplane, not saying it's as good as either of those two, but it has a similar style. Satire is usually much more subtle, has more commentary too it, while this film here has characters put in silly and over the top situations that obviously couldn't happen in real life. I also feel it's important to make that a known fact about this film because if you don't know what the film is, then you might be fooled into thinking it's just a regular teen comedy because that's what the film's tone and opening feels like, instead of throwing you into a silly environment the film takes it's time to introduce you and i feel this works against the movie, because when the film starts to use cartoonish jokes but it's still playing it straight faced, it feels out of place and bad.

The biggest problem with this movie is its tone, it's trying to be a parody film but maintain the tone or a coming of age teen comedy and they don't blend well and sometimes the movie takes itself seriously, sometimes it's more of a goofball comedy and because of this some of the jokes suffer and don't come across as funny as they could have if they had just gotten the tone right. Take a film like Hot Shots, my personal favourite parody movie, straight away that movie nails it's tone, being a goofy parody movie, but also having enough elements of Top Gun to have a perfect blend of the two. However, though it may sound like i disliked this movie, i enjoyed it a fair amount, when the comedy does work i was laughing quite a bit, including a capture the flag sequence which i thought was great. The film's comedy i would say is 50/50, some of the jokes were really funny, while others feel half-baked or unnecessarily long, for example, Paul Rudd's character has this trait where every time he kisses someone he licks them an insane amount, and while that may get a chuckle the first time round...why did they keep doing it? Did they honestly think that was funny enough to deserve a recurring joke?

Speaking of Paul Rudd, wow does this movie have a massive cast, it's hard to believe so many people involved would end up becoming such massive stars. Paul Rudd, Molly Shannon, Amy Poehler, David Hyde Pierce, Joe Lo Truglio, Elizabeth Banks, Bradley Cooper! For such a small movie at release, it has a really big cast of characters. Out of all the characters I would say David Hyde Pierce as an astro-physicist was my favourite character, his performance nailed what the tone of the movie should have been, playing it completely straight-faced and overly serious, he was easily the funniest part of the movie. While there were some inconsistencies in characters, for example Paul Rudd was at points the cool guy of the camp that everyone respected (Like Fonzy), while other times he was the douche bag that was the obstacle in the way of two characters falling in love. Also one of the subplots in the film has a counsellor going through a divorce and the kids acting as her therapists, funny set up, but the final punch-line is...inappropriate, that's as far as i can say without spoiling it, if you've seen the movie then you know what i'm talking about.

There were also some continuity errors, for example in one shot there would be raindrops or damp wood but in the next it was completely dry. I understand why this was because it was a small movie with a limited shooting schedule and according to the cast & crew it rained for 80% of the shoot, which is especially bad when the majority of your film takes place outside. So i give them a pass for that but it is still technically a problem big enough that it's worth pointing out.

Overall the film had enough good jokes that i did enjoy myself, but also a fair amount that i disliked and the tone didn't have enough focus to make it a great parody. I'm giving Wet Hot American Summer a 6/10.

-Danny

Friday, 7 August 2015

How To Write The Teenage Mutant Ninja Turtles

You may be thinking to yourselves how stupid it is to try and analyse the Ninja Turtles. Superman and Spider-Man make sense, they're superheroes that have been around for decades with multiple adaptations analysing the characters and making them staples in pop-culture...well the Ninja Turtles have done all those things as well, they've been comics, tv shows, blockbuster movies, they've become the next instalment in a long line of silly comic book to money making and beloved franchise that has spanned several generations. Even more surprising, there is actually some depth to these characters that is worth discussing, and there's four of them this time. Yeah, go figure. So let's actually take a look at the Teenage Mutant Ninja Turtles and see what kind of analysis we can come up with.

Throughout their 31 year history, the ninja turtles have had a lot of different interpretations, they started out as a dark & gritty satire of comic book characters, then got turned into the iconic and silly cartoon of the late 1980s, then they received a few live action stints, they only good one being the 1990's film. Then they went back to been serious and badass, then silly again, top it all off with a live-action/cgi blockbuster hit that actually does still have something to offer to their legacy. Starting with the comic book series, like i said, it was intended as a satire of dark & gritty comic books of the time, Kevin Eastman and Peter Laird came up with the silliest idea they could think of and wrote and drew it to be as serious as possible. Though this is the origin of the Ninja Turtles legacy and is a good story in it's own right, very little of it has carried over to our modern day ideas of the franchise. A lot of characters and stories have been carried over, but the details, tones, characterisations and even designs have all been changed and accepted since then. That's where the 1987 Teenage Mutant Ninja Turtles cartoon comes in, granted it was a complete 180 from the comics and became a goofy and child friendly cartoon, this is where the ninja turtles really soared in popularity and was the catapult for their success, it also have a lot of staples to the characters including the colour of their masks, their catchphrases and the best theme song for the series. Though in terms of characterisation, it set the ground work for future instalments, but others would find better success in defining our heroes in a half-shell.

The 90's was all about the live action films, the 1990's Teenage Mutant Ninja Turtles movie tried to act as a mixture between the comic book and the cartoon and for the most part succeeded, at the time it was the best at defining the personalities of the turtles and their relationships, including Raph's temper, his relationship with Leo and the theme of brotherhood. But the follow-up sequels were less than impressive both in terms of stand-alone films and adaptations. But the biggest flops was the live action television series Ninja Turtles: The Next Mutation and the Coming Out of Our Shells Tour...both are beyond awful in so many ways, never watch them. Thankfully in 2003 the series was given a new life with a new cartoon series which mostly took after the original comic book, but also tried the hardest to give the characters more complexity and new dimensions to them, as well as expanding on their existing relationships. This was then carried over in the 2007 TMNT film, though not a direct sequel, carries over the tone and development the 2003 show had started. Then in 2012 a fully CGI cartoon decided to take the best elements from all of the other adaptations and throw them together, giving us arguably the best and most defined versions of the characters so far and giving us plenty of comedy and drama. By this point in the franchise, the turtles had clearly defined personality traits but also hidden layers that given to the right people were able to show these characters do have thematic dignity...then the 2014 movie came out. By no means a bad adaptation (well, maybe a few means) the turtles themselves were very bare boned, it tries to carry over some of the themes, but acted as if it didn't know why those themes were there to begin with. But i'll come back to that later, now that i've set up how so many different adaptations can bring their own ideas, it's time to see how this amalgamation of creators and writers were able to fully define the Teenage Mutant Ninja Turtles, and how each one does have a basic layer to them, but also a hidden layer.

Where better to start than with the leader himself, Leonardo. His basic layer is that he's the leader...and that's kind of it. I hear a lot of people who were fans of the original cartoon say that he was they're least favourite because all he was, the leader, there wasn't much of a personality to him except that he was in charge, everyone else had a schtick, he was the blank slate that a lot of kids could project themselves into. In future adaptations he would become more interesting but mostly because of his relationships with other characters, his loyalty to Splinter, him budding heads with Raph, his contrast with Shredder. He was given some more character traits, he's the most hard working, he's the most secretive and the best strategist in the team, but does still have the least defined personality, but that's not to say there isn't more too him. His hidden layer is that he's afraid, he's afraid he'll fail his team. Leo's nickname (and sometimes insult) is fearless leader, but in reality, he is incredibly insecure in his own abilities, he doesn't believe he's fit to be the leader, he's not ready or he could make a mistake that could cost the lives of his team. This is mostly explored in the 2003 cartoon and the 2007 movie, where he goes on a spiritual quest to learn more about himself and prepare for his duties. That is what makes Leo interesting, that's what makes him complex, his insecurity in himself.

Then there is the hot head of the group, Raphael, even though it took him the longest to define, he's also the one who has been the most consistent, his personality of being the tough guy with anger issues was first introduced in the 1990's movie, since then it's maintained relatively the same because they nailed it the first time round. One of the big conflicts with the character is the relationship between him and Leo, they are constantly at arms with each other, always disagreeing, never getting along and always fighting. This is handled best in the 2007 film where to two of them finally fight without holding back and we see them at their ugliest. But then this is all brought back in to his hidden layer, he's cares the most. Raph may get angry at his brothers, there are times where it may seem like he hates his brothers, but the truth is, he cares more than any other, he will fight for his brothers until his dying breath, he will always be there to protect them, but of course he's too macho to ever admit it. This is one of the things that I was referring too when i said the 2014 film didn't understand why the characters behave this way. In the film, Raph says the reason why he's so hard on his brothers is because he's scared he wasn't good enough to stand by them, when that's just not true. He's hard on them because he's scared what could happen to them if they aren't their best, he knows he can protect them, or at the very least will try the hardest, but he would feel better if they could protect themselves, otherwise if they were to die in battle, he would feel guilty, he would feel like there was more he could have done to improve himself and his brothers.

Next there is Michelangelo, the party dude, the cool one of the team, of course over the decades the definition of "cool" has changed a lot, he started as the surfer guy and these days he's more of the fanboy, pop-culture referencing type of cool. He's still the pizza loving, catchphrase shouting goofy turtle we've always known, just the details around his personality have changed with time, but the basics have remained relatively similar. And yes, surprisingly, Mikey also has a hidden layer to him, he has the most raw potential out of all the turtles. In both the 2003 and 2012 cartoon, we see that when he does focus and try, he's actually the most powerful ninja, and also a great strategist, in the 2003 cartoon, there's a fight between him and Raph where he wins just by taunting him, exploiting Raph's weakness, getting him angry and sloppy, giving Michelangelo the upper hand. The problem is, he has very little focus, maybe a case of ADD, but when he tries, he's a great fighter, after all, he uses the least practical weapon out of the team and is still able to hold his own.

Finally there is Donatello, and there's a reason why I saved him for last, because i disagree with elements of his characterisation. On the outside he's the smart one of the group, he does machines, even if it makes no logical sense how a mutant raised in the sewers was able to become the smartest man on the planet...it's a freakin' Teenage Mutant Ninja Turtle, i'm hardly going to argue with their logic. He's also the most compassionate and level headed of the group, more hopefully to solve issues democratically than physically, because of this it also makes him the physically weakest of the group, and that leads me to his hidden layer. Donatello being the weakest member and also having the most basic weapon has lead to him being unsure of himself as a fighter on multiple occasions, my problem with this is it's the exact same layer of Leonardo, his insecurity in himself and his role, the specifics might be different, but it's the same character arc. In my opinion, a much more unique and engaging arc for him would be not insecurity, but ignorance. You often hear the phrase "brain over brawn" and while this is relevant in a lot of scenarios in both life and the franchise, there are also plenty of occasions where brawn is better than brain, especially when you're getting into life or death fights every week. Donnie has suffered because of this before, in the current run of the comics *spoilers* Donatello had to fight against Bebop and Rocksteady all on his own and they killed him, if it were any of the Turtles, they probably would have lost, but would put up enough of a fight to either get away or beat Bebop and Rocksteady enough to scare them off. Donnie's ignorance to the importance of physical strength lead to his death and I would like this to be explored a lot more.

Finally, there is the major theme with the Turtles, the one that every good adaptation remembered to feature as a prominent part, they are brothers. They argue, they fight, there are even times when they don't like each other, but they will always love each other, they will always fight for each other, they never stand alone and never turn their back. It's because of their brotherhood that they've beaten so many foes and live to fight another day. Alone, they're tough, together, they're unbeatable. You may say that this is a story point that has been done so many times that it's redundant, that is a sentiment i disagree with entirely. The theme of brotherhood is the defining element of the Turtles, taking away that is like taking away the idea of them being turtles, it's part of their identity, it's what makes them, them. That is why it's the most important element in writing a story about the Teenage Mutant Ninja Turtles.

Recommended Stories: Teenage Mutant Ninja Turtles Movie (1990) Teenage Mutant Ninja Turtles Cartoons (2003-2009/2012+), TMNT (2007), Turtles Forever (2009), Teenage Mutant Ninja Turtles Comic Book (2011+)

Thursday, 6 August 2015

How To Write Superman

Similar to my Spider-Man post, it's time to talk about the original, the greatest, the man who stands for truth, justice & freedom, Superman. And that's not just a fancy description, but that's the honest truth, it's what Superman does, it's who he is, it's not about the powers or the looks, it's not about who he fights or how he fights, but why he fights. He fights because he knows humanity can be better, that he honestly believes that they were worth saving, all they need is a symbol, he can be that symbol. That is his true power, showing the best that humanity can be while also being the god that they need to admire. In the live action adaptations we've seen so far, each one of them maintains some form of the basic elements he needs. Christopher Reeve is easily the best portrayal we have so far, yes from a production value stand point he is the silliest, but he also maintains the charisma, honesty and good nature of Superman. Brandon Routh perfectly captures the values and emotional shortcomings of the character, but failed to deliver on the action and struggles he's known for. While Henry Cavill showed his struggles to balance the line between man and god and how he can overcome any obstacle, but also lost the good nature of the character.

So let's talk about him, starting way back at his origin, the destruction of Krypton and what that means for him as a character, the true value behind this disaster is that it doesn't hold any value to who he is. Don't get me wrong, it's a key moment in his history and it does hold weight to him, but it doesn't effect him as a person. Clark doesn't find out about Krypton until he's already an adult, when he's already decided who he wants to be in life, what role he's going to play thanks to his powers, meaning his reaction to Krypton doesn't effect who he is as a person, he's already decided to become Superman. If Uncle Ben never gets shot, Peter Parker never becomes Spider-Man, if the Wayne's aren't gunned down, Bruce Wayne doesn't become Batman. If Clark Kent never learnt the truth about Krypton, he would still become Superman. All the revelation for Krypton does is give Clark some personal clarity and give him more context to his situation, but it doesn't change the path that he was already on.

Now when it comes to discussing Clark Kent, there are two different versions, there's Clark the reporter and Clark the Kansas Boy. Kansas Boy Clark is a simple man, he cares about his family, wants to be happy and doesn't really ask for much in return. He doesn't demand glory or action, just the every day pleasures and dreams of your average joe. Even with his godlike powers, he was raised on a farm, there was no drama or end of the world scenarios, he found pleasure being just a regular guy and not having the pressure of the entire world. Then there is Clark Kent the reporter, or what it really is, fake Kent. People often make fun of how no one can see the difference between Superman and Clark Kent, they look exactly the same, just one of them wears glasses. The disguise isn't in the glasses, it's in his personality. Clark Kent the reporter is a doofus, he's clumsy, he's always late and he's a coward, people don't see past the glasses because they don't see how someone this pathetic could be Superman. It's like when people see those old pictures from hundreds of years ago and think they look like celebrities, yeah they may look like them and we might even joke about it, but no one actually believes that it could be them. This is what Christopher Reeve in Superman: The Movie did best, his portrayal as reporter Clark was so dorkishly lame that you would never believe he's Superman.

Then there is Superman, the man with the power of gods, can fight any fight and is the most powerful superhero ever. But Superman isn't the greatest superhero just because he's the most powerful, but also for what he stands for. What are Superman's ideals? What are the rules for Superman? Well on the most basic level, Superman is nice, he is kind hearted, he doesn't go out looking for a fight, he will always give the bad guys a chance to surrender, a chance to be redeemed. Like Spider-Man, no issue is too small, everyone is worth saving and he would sacrifice himself for a complete stranger. My all time favourite moment comes from the comic book All-Star Superman where Superman stops a teenage girl from committing suicide, it's just a single page and it's just him talking to her and giving her a hug. He doesn't force her to do anything, he just empathises and gives her the help she needs. He's compassionate, he's understanding, he's incorruptible and will always do what's right. That may seem a little basic in a hero, but considering we live in an age where anti-heroes are the big ticket and everyone needs to have that little bit of a dark edge, Superman being the one hero who will always do the right thing is surprisingly refreshing. And yes there have been some great stories where Superman goes dark (Injustice God's Among Us) for the most part he has remained the boyscout we all know and love.

Then there is the reasoning behind his no kill rule. It's easy to say a superhero won't kill because it's the wrong thing to do, but to have an actual personal reasoning behind it is what makes it interesting. In Superman's case, the fact that it's the wrong thing to do is pretty much the only reason, but it goes deeper than that. Like i said, Superman is a symbol of good, his main goal is to inspire people, to show them that they can be better, and the main way how he can do that is to show it is possible to defeat evil without having to lose your humanity, you don't have to stoop to their level and killing isn't going to solve the problem, it's just going to make you part of it. He's so far into the role that if Superman were to kill then he would lose all of his credibility, all the effort he's put into his image and suddenly his words and message holds no value. It's also his way of showing that he's not above the system, he doesn't have the right to take a life more than anyone else did, he still wants to be treated as an equal, as a human, that's why if he was to ever kill, he would willingly go to jail for it, because he deserved it. If you want to see the best portrayal of this rule, i recommend Superman Vs The Elite. So with that being said, why was I okay with Cavill's version of Superman killing in Man of Steel? One: he was in a life or death situation with no other way to beat Zod, and two: he was a new and young Superman, he only just decided to bear his responsibilities, he doesn't entirely know who he wants to be and hasn't figured out his views on killing.

Then we come to his shortcomings, and i don't mean Kryptonite or magic, but i mean the real problems he has. One of the biggest complaints i've heard against Superman is "He's so overpowered!" which is a statement i despise. Saying he's overpowered is basically saying you can overcome all of life's problems simply by punching them. Superman is a god amongst men, he's from a different planet and has more power than anyone, but he was raised in Kansas and on our cultures and morals. He's an outcast of two worlds, not really fitting in anywhere, wanting to be the hero we need, but also the man we can accept as one of our own. Truth be told, Superman is a man with two planets but no home, but it's more than that, some humans are scared of his power and think that it's too much and he feels the exact same, he's scared he'll one day do something he'll regret, whether intentional or accidental he'll cause havoc and destruction that'll show how wrong he is for this world. In Justice League Unlimited, Superman talks about how he always has to treat the world like it's made of paper, afraid he's going to hurt someone or destroy something, always having that constant fear 24/7. That is Superman's biggest downfall, he cares too much. In Superman Returns, there's a great scene where Superman is floating above the Earth and just listening to the world, listening to the cries for help all across the planet and he knows he can't save everyone, he's a god amongst men and yet he feels powerless. Say what you will about the film, it's pretty boring and the plot sucks, but man did they get this character right.

In the end, Superman is the greatest Superhero because he's the only one who thinks on a long-term global scale, the way he saves humanity isn't just by punching bad guys, but helping us want to improve ourselves so we're worth saving, that's what makes him a Superman.

Recommended Stories: Superman: The Movie (1978), Superman: The Animated Series (1996-2000), Justice League [Unlimited] (2001-2006), All-Star Superman (Comic), Superman Vs The Elite (2012).

-Danny

Wednesday, 5 August 2015

Sony's Future Movies

Sony Pictures have announced some changes in release dates of some of their upcoming movies for the next few years, a lot of these we knew were coming out, some we didn't, but now we have a set list and set release dates. Except we don't, because i'm willing to bet more than half of these movies are either going to get cancelled or have their release date changed, because if there's one guaranteed fact about Hollywood, anything that's planned more than 2 years in advanced is not going to happen. So let's take a look at these films.

Money Monster – 8th April 2016
The Shallows – 24th June 2016
Ghostbusters – 15th July 2016
Patient Zero – 2nd September 2016
The Magnificent Seven – 23rd September 2016
Underworld 5 – 21st October 2016
Passengers – 21st December 2016
Jumanji – 25th December 2016
The Dark Tower – 13th January 2017
Resident Evil 6 – 27th January 2017
Bad Boys 3 – 17th February 2017
Baby Driver – 17th March 2017
Barbie – 2nd June 2017
Uncharted – 30th June 2017
The Lamb – 8th December 2017
Bad Boys 4 – 3rd June 2019

So for a lot of these films I have no problem with, i mean i have a problerm with another Underworld and Resident Evil movie, but that's life. Some of these i kind of laugh at, others I cringe at. A remake of Jumanji for example, now when it comes to remaking classic films, i have no problem with it as long as you can bring something new to it, but let's face it, what makes Jumanji good isn't the story or the effects, it was Robin Williams, without him, that film doesn't stand the test of time, so remaking the film, especially this soon after his death feels almost like they're spitting on his grave. Now it could be really good, it's always possible, but who are you going to get to replace Robin Williams? No one.

Then there are the Bad Boys movies, making sequels this long after the last one...who was asking for a Bad Boys 3!? More so, who was asking for a Bad Boys 4!? And I see Sony hasn't realised that you really shouldn't plan out more than one sequel at a time, because if Amazing Spider-Man and Terminator Genisys have taught us anything, you have to wait to see if the film released is successful enough to warrent a sequel. Then there are the plans for a Barbie movie...but not just any Barbie movie, a live action barbie movie...because in this day and age where feminism in the media is taking such a strong stance, especially with a studio like Sony...Barbie is their leading lady? Seriously, who wants to see a fucking Barbie movie!? Finally there is Uncharted, which i would love to see a live action Uncharted movie, the problem is, they've been trying to make this damn thing since 2009, they have no script, no cast and no director, and this is supposed to be released in theatres in less than 2 years from now? Hollywood, when will you learn? Stop setting release dates before you have a goddamn movie!

-Danny

Tuesday, 4 August 2015

Gravity Falls 'Dungeons, Dungeons, and More Dungeons" Review

After two mystery heavy episodes, we've gone back to the traditional Gravity Falls episode, mostly jokes and creative stories with a little bit of mystery put in for good measure. Here we have Dipper trying to find someone to play Dungeons, Dungeons & More Dungeons with but no one seems interested, that is except for Great Uncle Ford who Dipper desperately wants to bond with in hopes to learn more about the mysteries of Gravity Falls. However. once it starts interfering with everyone else, things get out of hand and due to a magic infinity dice, the characters in the story come to life and they have to play a real life version of DD&MD in order to send them back to their own dimension. What was interesting about this episode is how much meta-humour was in it, yes Gravity Falls has made meta-jokes and references in the past, but they took it to a whole new level here, not only making jokes of Dungeons & Dragons, but also themselves and their fans. When Grunkle Stan talked about why it's not weird for an adult to watch a kids show because "it has a very engaging mystery and plenty of jokes that would go over kids heads" me and my friend just sort of looked at each other acknowledging that was meant for us. Not to mention the twin brother twist in ducktective. I think that's what makes it work, they didn't necessarily insult their audience (because that would be stupid) they just pointed out the silliness of it, but at the same time they made fun of themselves in the process. Even the Dungeons & Dragons stuff wasn't mean spirited or insulting, they show it from both perspectives, Dungeons & Dragons can be a fun game, but it's also needlessly complicated and people can get way to involved into the escapism of it all. But there are those who judge it harshly even though they've never tried it and the game it relatively harmless and (shocker) fun from time to time.

They say you can't really satirise something unless you truly love it, and that's what comes across here, a fantasy piece of escapist fiction making fun of another fantasy piece of escapist fiction. It could be seen as really hypocritical if they didn't show the positives of it as well as make of themselves for good measure. So i'd say it's all in good nature. But, there's still plenty of jokes outside of the meta-humour that had be laughing, Grenda is apparently a murderer now, gotta love a bit of dark humour in a kids' tv show. Also Mabel's expressions in this episode were hilarious, her dialogue was good but seriously, her constant change and exaggeration of her feelings was funny as hell, a lot of the visual jokes in this episode were funnier than normal. That centaurtaur joke had me laughing my ass off for how strange a visual that was. Also making fun of 90's culture is always hilarious, a time when everything had to be extreme and hip, Dipper's line especially got me laughing "the 90's must have been a strange time", mostly because it's always strange for me to think that there are people alive now who were never alive in the 90's who are nearly adults...it's so strange.

Then in the end we got a little bit of plot development with Great Uncle Ford's interdimensional rift, who knows how that's going to come into play, it could do anything, be anything, i'm looking forward to seeing where they go with that. Also Weird Al Yankovic as Probabilitor was awesome, this show is really good at getting major guest stars, JK Simmons, Weird Al, Nick Offerman, Nathan Fillion, Mark Hamill, etc.

Overall, this was a really good episode, delivered plenty of laughs, had a great plot and included enough set-up for future episodes. I'm giving DD&MD an 8/10.

-Danny

Monday, 3 August 2015

Should Tyrese Gibson Be John Stewart?

Tyrese Gibson, best known for playing Roman Pearce in the Fast & Furious movies, had been auctioning himself to play John Stewart in the upcoming Green Lantern movie. Now actors auctioning themselves for these kind of roles is nothing new, hell, his F&F co-stars Dwayne Johnson and Vin Diesel both successfully lobbied for the roles of Black Adam and Groot, so it's understandable why Gibson would want this role. I also would be very happy if John Stewart is the main lantern in the new Green Lantern movie because he is my personal favourite Lantern, and I am very happy to hear an actor is this passionate about playing a role. With that being said, i don't think Tyrese is right for the part and his efforts to get the role went from nice to sad pretty quickly. Yes a lot of these talks have lead to conversations with Warner Bros so it's working to a degree, but good god this is just coming across as desperate at this point, the only thing sadder is when Sean Young was so desperate to play Catwoman that she broke into Tim Burton's office in costume. Now we've reached a point where if he does get cast it'll feel more like he bullied them into submission than actually earning the role.

But then there's the fact that he's just not right for the part, not to criticise his acting too much, because he is a fine actor and is by no means the worst pick for the role, Tyrese Gibson is not John Stewart. John Stewart is a mature veteran who acts as a dignified and respectable leader, he should dominate the screen and is the most responsible man in the room. He takes his job seriously and always gives his all, basically put, he's the adult of the Justice League. Superman is a boy scout, Batman doesn't trust anyone and Wonder Woman is temperamental, John Stewart is the one person who always has his head on straight and will always do the right thing. Judging by Tyrese's previous work, he doesn't suit this role, he's more of the cocky comic relief sidekick who screws up every so often but gets it right in the end. That's not John Stewart, if anything, that's Guy Gardner, so if you want to change the character's race and cast him as a different lantern then fine, but honestly, i'm yet to see anything in his career so far that would show that he has the capabilities to do the role of John Stewart justice, you know who would be a good fit for this role? Idris Elba. Not only does he have the aged and mature aspect down, but he's also played respectable leaders in the past, he's the right age, he's got the right look and he's a better actor than Tyrese, he's the much best choice for the best Lantern.

-Danny

Sunday, 2 August 2015

My Favourite Characters - Phillip J Fry

Futurama is one of my all time favourite comedies and one of the best television shows that I have ever seen, but none of it would work without it's main character, Phillip J Fry. Fry was originally from the 20th century, stuck in a dead end job and going nowhere with his life, that was until he ended up frozen and woke up in the year 3000 where even though his life stayed relatively the same, he was happy and felt like he belonged. He had new friends, was happier with his job and the world was just as silly and strange as he was. On the most basic of levels that make me love Fry is how funny he is, always making me laugh with his idiotic antics, his crazy schemes with Bender and his misunderstandings of 31st century culture. He's a hilarious character played excellently by Billy West, who also plays other excellent characters in the show like Professor Farnsworth, Zapp Brannigan and fan favourite Zoidberg. But Fry is my favourite of his characters because of how relatable he is, even in the wacky world of the year 3000 he still maintains the heart & soul of a 20th century kid, making his problems relatable, his relationships identifiable and him as a whole the audiences anchor and surrogate. Not to mention, he's a total nerd and proud of it, unlike a lot of characters in today's pop culture that tries to glorify being a nerd and either misrepresents them or ends up making fun of them (*cough* Big Bang Theory *cough*) Fry is a blend between the two, still expressing why it's a good thing the way he is, but also acknowledging sometimes being a nerd can be lame, but respectable nonetheless.

But there is still more to him than his stupidity making him funny, it also makes him endearing. He is simple minded, but he's also loyal and focused, what he's good at, he excels at and has actually saved the world a number of times. When I say he's endearing, I mean his connection to his friends and how he cares for them, but the biggest one of all is Leela, a woman he loves so much that he constantly tries to better himself for her, to be the person she deserves, but he doesn't want to do it by cheating, he still wants her to love him for him. It's this commitment and dedication he has to the people he loves the most that makes me love him as a character. This also means that he takes joys in the simple things in life, respecting what he has while he has it and find joy in everything he can. Someone this dumb but this much optimism and potential is something quite admirable.

Fry is the optimist who never stops smiling, he makes his friends laugh and cares for his loved ones, he shows that even if you're not a genius, you can still have the makings of greatness and shows how nerds are cool, yet dorky. I relate to Fry in a lot of ways, if anything he might be one of my most relatable characters yet there is still plenty of him to admire and his dedication to his loved ones inspires me to also better myself for my loved ones. That is why he's one of my all time favourite characters.

-Danny

Saturday, 1 August 2015

So...They're Making A Naruto Movie

Naruto is often one considered to be one of the anime that got a lot of people into anime, being called one of "The Big 3" that acts as a gateway anime for a lot of people (The other two being One Piece and Bleach) and that is exactly what it was for me. I watched plenty of anime beforehand, but this was the one that made me realise there was an entire art form behind this, it was the first anime i watched the subbed version of and made me appreciate the medium a lot more. Over the years my love of it died down as i became more attached to another anime and Shippuden just wasn't that good i felt. But nevertheless, Naruto is always going to hold a special place in my heart and is always going to be one of my favourite anime because of it. So with this news of a live action Naruto movie in the works, i have a fair bit to say about it. According to Variety The movie will be released by Lionsgate, directed by first time director Michael Gracey and will be produced by Avi Arad's company Arad Productions.

I am against this, i am absolutely against this, and not just because i'm a fan who hates the corporate Hollywood system, but because there isn't a single piece of information released so far to give me confidence. Now granted these are still very early days so a lot could change my views on this, the movie could be awesome, but as of right now I have no faith, and here is why. First of all, Hollywood's attempts at making live action anime movies in the past all SUCK films like Dragonball Evolution and The Last Airbender (Because yes i consider that an anime because fuck you) are some of the worst films I have ever seen, even if i had never seen the original source materials i would still hate them. And this is a combination of two things: The people involved not understanding/respecting the source material and the fact that anime is so ridiculous and over the top sometimes that it just doesn't work in live action. Naruto is a story about a world of ninjas who can summon giant talking frogs, control the elements and are basically able to use magic, it's not a story that can be adapted into live action for mainstream audiences can take seriously. Even though anime has jumped in popularity in the past few years and Naruto being one of the most popular itself, it's still a niche medium, they're not household names and not everyone watches anime, because it's still very silly and the Japanese culture can sometimes...conflict with western ideologies, let's put it that way.

Which is another point to bring up, even though the characters themselves aren't necessarily Japanese, the show has heavily Asian philosophies and cultures in them, the Hidden Leaf Village is very Japanese, the Hidden Sand Village more middle-eastern, etc, but Hollywood is probably going to butcher it and Americanise it to make a mass appeal, which is bullshit because changing the culture changes the entire tone and style of the series, and if you can't capture that then how can you be expected to make a faithful adaptation? Then there's the matter of taking a 700 chapter manga/640 episode anime and turning it into a 2 hour movie. Even the first story arc in the show took 19 episodes, not to mention the majority of characters are 12 years old and are supposed to get involved in serious action. And they better bring the score from the anime, because that score is badass.

Then there's the crew behind this, have a first time director and giving them this big a project, that's a big risk, but my bigger problem is with Lionsgate. Yes they've released a bunch of good indie flicks and other small films, but when it comes to the big releases, the mainstream films, their films range from absolute garbage to pretty good. But even when it comes to adapting a single book they cut out half the material and wash it down for mass appeal, this is taking a continuous franchise and adapting maybe 5% of that into a movie. Basically it's impossible, even if they were to make this into a franchise, they're taking the challenge of establishing this world, making it believable for new audiences, the origin of our main characters, give them fully developed story arcs while also making sure you have enough set up for a sequel, throw in a fair amount of creative and clever action sequences, respect the themes and style of the source material while also creating enough to make yours feel unique and do all that within 2 hours...yeah that doesn't sound very promising there does it?

-Danny