Monday 15 July 2019

I Guess I Can Talk About Far From Home


Image result for far from home posterI don’t enjoy disliking Spider-Man films. Spider-Man: Homecoming is the first Spider-Man film I can say I don’t like and nobody benefits from that, people don’t want to hear negative opinions on a film they love and I don’t want to have negative opinions. Far From Home looked like it was going to be the exact same, the marketing for the film made it look like more of the same mess of the first one-though to be fair Sony are infamously terrible at marketing their movies-and I expected the film to be a disappointment, but I really wished I would be proven wrong.

Perhaps it was that exact desire that made my watch of the film so complicated, and even as I’m writing this I can’t fully decide on my opinion. The film was still full of the half-thought out character arcs, bland humour, uninspired action and over abundance of passable CG as the first one, but the fact that I accepted that would be there almost numbed me to the experience. Then every time the film actually did do something to impress me, with more dynamic directing, a great villain and…some kind of an arc (We’ll get to that)? I left overall positive. Unfortunately as time passes the positives and negatives are getting more jumbled so hopefully by the end of this piece I can come to a more definitive conclusion.

Naturally the place to start is with Spider-Man himself. Tom Holland as an actor I’ve never had any problem with, and his portrayal of Peter Parker is perfectly acceptable, any and all problems I’ve had with his version comes solely down to the writing. Peter’s arc in this film unfolds across several layers, coming to terms with the death of Tony Stark, trying to fill his shoes while also become his own hero. Right off the bat the issue of Peter needing to become his own hero was one already addressed in Homecoming but it wasn’t done very well there and the movie still ended with him as Iron Man Jr so I see why they wanted to redo it…Too bad it’s still done poorly. Peter can’t be the next Iron Man, it’s not a role he’s meant to fill and he’s filled with insecurities that he’s not good enough and constantly makes mistakes. It’s not until Happy informs him that Tony was fallible and also made mistakes that Peter stops putting him on a pedestal, but also they were systematically two different people who represent different things, and he needs to stop trying to be the next Iron Man and just be Spider-Man. This then however is completely cancelled out by Peter then putting together a brand new suit by using Stark tech, with AC/DC blasting in the background and Happy looking on proud of the similarities. Goddammit, how do you make the same mistake twice!? In Homecoming he learns not to rely on Tony’s tech to become Spider-Man yet at the end of that film he’s given back the suit Tony made for him. In Far From Home he learns to stop trying to be like Iron Man but then in the very same scene you have him put together a new suit in the style of Iron Man!

Even the journey on this arc is paved with missteps. Peter is a flawed person, he makes mistakes and feels this means he can’t live up to Iron Man’s legacy, and also he wants to avoid his responsibility so he can enjoy his trip and be a normal teenager, so when Mysterio comes along and presents himself as the ideal superhero, it’s understandable Peter would want to pass on the responsibility to him. However that does not mean Peter giving up Tony’s parting gift and control over valuable Stark tech to someone he’s known for only a few days is a reasonable step! This may in fact be the dumbest move I’ve ever seen Spider-Man do across all of his movies, he’s not only trusting valuable equipment to someone he barely knows, but is giving up something of sentimental value from a lost role model of his.

The consequences of Peter’s mistakes wouldn’t happen if someone with common sense were in this position. This problem comes back up again when Peter’s identity is revealed to the whole world, which would be a shocking development if it wasn’t for the fact this Peter Parker puts almost no effort into protecting his identity. He takes his mask off in rooms filled with people, again sharing his identity with Mysterio, someone he barely knows, and even at one point is sat in a public bar with his mask off! It’s not a shocking twist that his identity becomes public knowledge when he puts no effort into protecting it. While we’re on the topic, didn’t Peter say in Homecoming that if Aunt May found out about his identity she’d freak out, and yet in this film she is perfectly fine and even encouraging of Peter’s outings? Does she not care that he endangers his life every day? Does she even know her nephew was killed off world in the snap? The end of Homecoming implied she was shocked to discover it, yet here she is completely in support of him, did she have an arc entirely off-screen? Or did she not care from the get go?

This movie is filled with not well thought out implications and people not really reacting to major events that happen surrounding the story, sometimes very big ones like…half the universe disappearing and then reappearing five years later. It’s mostly passed off as a joke and this film thinks that cancels out the need to deal with the repercussions of what that world would deal with, but instead they decide to be lazy about it and everyone is acting like nothing happened and the world keeps on spinning like normal. Even all of Peter’s supporting characters magically got snapped and unsnapped together so the dynamics don’t have to change at all. What a lucky coincidence!

Let’s finally move on to the big talking point about the film, Mysterio, played by Jake Gyllenhaal has received wide spread acclaim as being one of the best-if not the best aspect of the film and I’m inclined to agree. For starters the fact that they were able to make a comic accurate suit look pretty cool in live action is an achievement in itself. Mysterio is also responsible for the best scenes in the film where he uses his illusions to psychologically torture Spider-Man by showing him visions of all of his insecurities and fears. It’s by far the most creative scene in the film with clever visuals and ties into Peter’s arc as one of the few strong scenes that properly analyses him as a character. It even then has a further pay off when Mysterio tries the technique again but Peter is able to see through his tricks this time, even if they have to undercut every serious moment with a joke (Peter Tingle? Really?).

That being said, this is like the sixth Marvel antagonist whose origin is ‘Tony Stark dicked me over’? Two of those times being in Spider-Man films. I would really like it if Spider-Man’s villains actually had something to do with Spider-Man and he would stop being overshadowed by Tony Stark, because despite his death he somehow feels like the main driving character behind this entire film. Also the scene where Mysterio’s origin is explained is some of the weakest writing the film has to over, with a dump truck worth of exposition not even trying to be weaved in like natural dialogue.
The ‘Full Mysterio’ scene as I like to call it isn’t the only example of the film having a more creative direction, the entire film has more flare as a whole. Homecoming often felt stagnant with basic shots and minimal camera movement to give you any sense of weight or style. Far From Home tries to experiment more with its camerawork, tries to have more energy during the fight scenes and it makes them all the more entertaining. It’s still nowhere near as good as what other Spider-Man films are able to do, but it’s still a step in the right direction (Puns!) so it’s only fair to comment on it.

I think this little piece has finally helped me come to a conclusion. Spider-Man: Far From Home is a superior film to Homecoming, it has better direction, a stronger attempt at an arc and moments of actual creativity. However I still have to come down and say I don’t like it. The story isn’t fleshed out enough, the arcs are stronger but still not good and send conflicting messages. The script feels underdeveloped and rushed, I have to put it down as a bad Spider-Man movie. It doesn’t sting as much as Homecoming did, not just because it’s an improvement but because of adaptations like Into The Spider-Verse or the PS4 Spider-Man game that I’m satisfied with great adaptations of Spider-Man as a character that if the MCU Spider-Man never impresses me then as much as that sucks, it’s not the end of the world for me.

-Danny